Learning that your hobby has become your job is a challenging thing, especially when you feel like you’re not getting enough back to deserve the work you put in.
In the first accessibility review for a while, Neff looks at Frontline Wrestling, the newest venture of Will Ospreay.
Apparently, we’re back with a vengeance, because it’s 1am when I’m starting this piece, and I’m angry. I try not to be angry a lot; it’s not a good look for me, because at 4’11”, being femme, and using a mobility aid, it’s like that chihuahua on the street yapping at the rottweiler – you know who’s coming off worst if that comes to a fight, and you know, too, that the big dog just doesn’t give a fuck.
We take a look at how Lucha Forever measures up in regards to accessibility and communication.
At the Amersham Arms in New Cross for some weeknight graps, Emmy and I investigate Anarchy Pro for their accessibility.
Progress started with a pretty good score, but they’ve gone out of their way to improve that, through communication and meeting my needs.
What’s their new score?
We look at the accessibility score of Chikara’s King of Trios, in England for the first time, and why we’ll be, disappointingly, giving it a miss.
A disappointing night at Bush Hall means that Fight Club: Pro see their rating drop from one of the highest, to the lowest mark so far given. How does that happen?
Review of Riptide Wrestling’s second show, in Brighton. On paper, it looked pretty good, but how did it live up to its promises in reality?
An article on how XWA measured up with regards to accessibility at Res Gal on the 22nd of July.